{"id":941,"date":"2010-05-19T23:26:04","date_gmt":"2010-05-19T23:26:04","guid":{"rendered":"http:\/\/new.centrea.org\/?p=941"},"modified":"2013-02-21T23:56:57","modified_gmt":"2013-02-21T23:56:57","slug":"slow-relations-practices","status":"publish","type":"post","link":"https:\/\/centrea.org\/2010\/05\/slow-relations-practices\/","title":{"rendered":"SLOW: Relations + Practices"},"content":{"rendered":"
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    SLOW: Relations + Practices<\/strong>
    \nMay 15 – June 19, 2010<\/strong><\/p>\n

    Project participants: Lorna Brown, Candice Hopkins, Elizabeth MacKenzie,
    \nMarian Penner Bancroft, Makiko Hara, Liz Park, Elspeth Pratt and Jin-me Yoon<\/p>\n

    Schedule of Events:<\/strong><\/p>\n

    Thursday, May 20, 5;00-6:30pm<\/strong>: SLOW Open Studio visit (Jin-me Yoon & Elizabeth MacKenzie)
    \nThursday, May 27, 5:00-6:30pm<\/strong>: SLOW Open Studio visit (Liz Park & Marian Penner Bancroft)
    \nThursday, June 10, 5:00-6:30pm<\/strong>: SLOW Open Studio visit (Lorna Brown, Makiko Hara)
    \nThursday, June 17, 5:00-6:30pm<\/strong>: SLOW Open Studio visit (Candice Hopkins & Elspeth Pratt)
    \n(All Open Studio visits will take place at Centre A)
    \n
    \nSaturday, June 19, 12:00-5:00pm<\/strong>: SLOW Closing reception with pot-luck meal and open space discussions<\/p>\n

    Exhibition Patron: Anndraya T. Luui
    \nProject Sponsor: Vancouver Foundation<\/p>\n

    Centre A is pleased to present\u00a0SLOW: Relations + Practices<\/strong>\u00a0a residency\/exhibition project initiated by a working group of diverse, local cultural producers. Initiated in 2008 this project reflects a shared desire to discover the subtle and unexpected links between cultural producers over a sustained period of time.<\/p>\n

    In developing the residency\/exhibition, the working group’s consideration of proximity and meaningful exchange has taken on the pressing issue of time-slow and hurried, lost and found. Is the time for art practice found on an airplane, in a hotel room, in bed? Is it housed in a laptop or a car? Is it found in solitude or anonymity?<\/p>\n

    Each of the participants will present a project that allows for interaction and transformation during the period of the residency\/exhibition. This circumstance of proximity and engagement will encourage direct or indirect exchanges between the participants, while they maintain autonomy as individuals within a shared relational context.<\/p>\n

    This residency\/exhibition provides a number of opportunities for community participation including a series of open studio visits, and a slow food pot-luck meal and open space discussion at the closing reception.<\/p>\n

    During these events the SLOW working group invites participants to investigate questions about the present conditions of artistic practice: How do you locate \u2018the studio’ in time and space? Where does it begin and end? How does it relate to others? Is it necessary to become unavailable to others in order to have a practice?<\/p>\n

    Centre A gracefully acknowledge the generous support of its patrons, sponsors, members, partners, private foundations, and government funding agencies including Vancouver Foundation, the Canada Council for the Arts, the British Colombia Arts Council, and the City of Vancouver through the Office of Cultural Affairs.<\/p>\n

    Contact: Makiko Hara (curator)\u00a0makiko.hara@centrea.org<\/a><\/p>\n

    For photos from the exhibition, please go to\u00a0Centre A Flickr<\/a><\/p>\n

    PARTICIPANTS
    \n<\/strong><\/p>\n

    Lorna Brown<\/strong>\u00a0will develop an index of images, texts, conversations and responses using a set of variables such as time and space to allow points of entry into the discursive potential of the exhibition and its associated activities.<\/p>\n

    A Time Library\u00a0http:\/\/atimelibrary.wordpress.com<\/a><\/p>\n

    Lorna Brown works between studio practice, curation and writing to explore interests in social phenomena such as boredom, administrative structures and systems, and the dynamics of public spaces. Recent exhibitions include The Chatter of Culture, Artspeak, Vancouver; Threshold (cont.) at the Koerner Library at UBC, and AdmIndex, commissioned by the Audain Gallery at SFU Woodwards.\u00a0Recent independent curatorial and editorial projects include\u00a0Group Search: art in the library and\u00a0Ruins in Process: Vancouver Art in the Sixties,\u00a0an online digital\u00a0archive.\u00a0Brown was the Director\/Curator of Artspeak Gallery from 1999 to 2004.<\/em>
    \n<\/strong><\/p>\n

    Candice Hopkins<\/strong>\u00a0proposes a text work that will get its impetus from a series of actual and hypothetical conversations, which will respond to elements of the exhibition, artists’ works and practices. The conversations will take place remotely and will later be compiled into a newsprint document-an actual and fugitive “slow guide” to the exhibition.<\/p>\n

    Candice Hopkins, formerly the director and curator of the exhibitions program at the Western Front in Vancouver, is also a writer and artist whose curatorial efforts often relate to her Tlingit heritage. She has been published by MIT Press, BlackDog Publishing, New York University, and Banff Centre Press, among others. She is co-curator of the exhibitions\u00a0<\/em>Jimmie Durham: Knew Urk\u00a0(2005), which originated at the Reg Vardy Gallery, Sunderland; and<\/em>Shapeshifters, Timetravellers and Storytellers\u00a0(2007), organized by the Royal Ontario Museum, Toronto. She is currently the Sobey Curatorial Resident at the National Gallery of Canada in Ottawa.\u00a0<\/em><\/p>\n

    Elizabeth MacKenzie<\/strong>\u00a0will produce an installation of drawn faces that\u00a0acknowledges the development of a self that is constituted in and through social practices and exchange.<\/p>\n

    Elizabeth MacKenzie’s work explores the complexity of familial and other social relations and their representation. Her drawings were included in Facing History: Portraits from Vancouver organized Presentation House Gallery in 2001 as well as For the Record: Drawing for Contemporary Life at the Vancouver Art Gallery in 2003. She maintains an ongoing commitment to collaboration, writing and teaching.<\/em><\/p>\n

    Liz Park<\/strong>\u00a0will operate the Centre for SLOW Growth, a space dedicated to growing plants from cuttings and finding homes for these plants.<\/p>\n

    Born in Seoul, Korea, Liz Park is a Vancouver-based curator, interested in creating discursive spaces and generating forums to engage an audience with discussions of political and social realities of today. She received an MA in Curatorial Studies at the University of British Columbia, for which she curated Limits of Tolerance at Centre A in Vancouver in 2007. In 2008-2009, she was Curatorial Resident at Western Front Media Arts through Canada Council Assistance to Culturally Diverse Curators in Residence Grant. Presently she is the Co-Director\/Curator of Access Gallery.
    \n<\/em><\/p>\n

    During the period of the exhibition,\u00a0Marian Penner Bancroft<\/strong>\u00a0will produce a series of digital photographic and video images (including sound) focused on a variety of transformations in Chinatown. These transformations will include those taking place over hours, days, weeks, months, and years.<\/p>\n

    Marian Penner Bancroft’s practice is based in photography, with necessary inclusions of writing, sound, text and video. Her work addresses the histories in which our visual and physical experiences are embedded, be they of landscape, immigration, music, family, geographies. Her work has been shown throughout Canada as well as in the US, France and Italy. She is an Associate Professor at the Emily Carr University of Art and Design and is represented by Republic Gallery.\u00a0<\/em><\/p>\n

    Makiko Hara<\/strong>\u00a0will present a food-based project, “SLOW Cooking + Leaning” that allows her to examine the process of learning to cook favourite dishes from number of artists\/friends. Hara will serve these dishes at the closing reception pot-luck lunch.<\/p>\n

    Makiko Hara is the curator at Centre A: Vancouver international Centre for Contemporary Asian Art. She has curated numerous contemporary art exhibitions by Japanese, Canadian, and international artists and has served as project coordinator for several international exhibitions, including the International Triennale of Contemporary Art in Yokohama, 2001\/2005; and The Echigo Tsumari Art Triennale, 2003. Hara was one of the three curators for the Scotiabank Nuit Blanche in Toronto in 2009.<\/em><\/p>\n

    Elspeth Pratt<\/strong>\u00a0will consider ideas around the possibility for a performative sculpture and how this can take shape in this context alongside the other artist’s projects and the constraints of the gallery.
    \n<\/em><\/p>\n

    Elspeth Pratt is interested in\u00a0architecture, the character of materiality, the value of the everyday, and the politics of location.\u00a0She has been exhibiting since the early 1980s in Canada and abroad. Her most recent exhibitions include Silent As Glue, Oakville Gallery, 2010, Blanket Gallery, 2009, Diaz Contemporary, 2008,\u00a0<\/em>Nonetheless, at Charles H. Scott Gallery, 2008 and\u00a0<\/em>Bluff\u00a0at the Contemporary Art Gallery, 2007. \u00a0Pratt currently teaches visual art in the School for the Contemporary Arts at Simon Fraser University. Her work is represented by Diaz Contemporary in Toronto.<\/em><\/p>\n

    Jin-me Yoon<\/strong>\u00a0will enact\u00a0a\u00a0mode of open ended speculative inquiry through performative actions for the camera in relation to the site of Centre A and Vancouver as well as the questions posed by the other SLOW member’s work.<\/p>\n

    Jin-me Yoon’s lens based work for the past two decades follows a trajectory of inquiry focused on questions of place, identity and subjectivity. She has exhibited extensively in Canada and internationally. Her most recent projects exploring the associative connections between corporality, history, cities and memorialization include Seoul (Korea), Beppu (Japan), Mexico City, (Mexico) and Vienna (Austria). She works and teaches in Vancouver and is represented by Catriona Jeffries Gallery.<\/em><\/p>\n

    \u00a0<\/em><\/p>\n

     <\/p>\n

     <\/p>\n","protected":false},"excerpt":{"rendered":"

    SLOW: Relations + Practices May 15 – June 19, 2010 Project participants: Lorna Brown, Candice Hopkins, Elizabeth MacKenzie, Marian Penner Bancroft, Makiko Hara, Liz Park, Elspeth Pratt and Read more…<\/a><\/p>\n","protected":false},"author":1,"featured_media":956,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false},"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/centrea.org\/wp-json\/wp\/v2\/posts\/941"}],"collection":[{"href":"https:\/\/centrea.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/centrea.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/centrea.org\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/centrea.org\/wp-json\/wp\/v2\/comments?post=941"}],"version-history":[{"count":0,"href":"https:\/\/centrea.org\/wp-json\/wp\/v2\/posts\/941\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/centrea.org\/wp-json\/wp\/v2\/media\/956"}],"wp:attachment":[{"href":"https:\/\/centrea.org\/wp-json\/wp\/v2\/media?parent=941"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/centrea.org\/wp-json\/wp\/v2\/categories?post=941"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/centrea.org\/wp-json\/wp\/v2\/tags?post=941"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}