Vancouver International Centre for Contemporary Asian Art

Thomas Lin & George Ho: Intersection – Two Cities

April 26 – June 4, 2019

Intersection-Two Cities is an ongoing collaboration by photographer Thomas Lin (Hong Kong) and installation artist George Ho (Canada). Comprised of a series of poetic tête-bêche images where the urban landscape of Hong Kong and Vancouver merge and blur, the exhibition traces a transpacific partnership of thirty years even as it meditates upon questions of memory, history, and chance.

This project was inspired by Yichang Liu’s influential novel, Intersection (1972)

Special Events:

Opening Reception: April 26, 2019 | 7-9pm

*Artist in attendance

Thomas Lin carries out conceptual photography. The principal theme in his works is the relationship among time, history and fate. With attention to the history of photography and careful combination of processes, he builds a body of works as a dialogue between contemporary and historical perspectives on everyday life.

George Ho began to develop an interest in multimedia arts in Hong Kong in the 1980s and he later moved to Canada to further his studies in the 90s. He acquired a Master of Fine Arts in University of Victoria and built up a body of work which involved dreamy images and high technology. Currently stationed in Vancouver, George is continuing to create formally eccentric sculpture and installation for exhibitions in North America and Asia.

Accessibility: The gallery is wheelchair friendly. If you have specific accessibility needs, please contact us at (604) 683-8326.

This exhibition takes place on the unceded Coast Salish territories of the Musqueam, Squamish, and Tsleil-Waututh peoples.

Samson Young: It’s a heaven over there

Samson Young, Da Da Company, 2019, animated video

February 23 – June 4, 2019

It’s a heaven over there is the first solo exhibition in Canada by celebrated Hong Kong artist Samson Young. Situated in a cavernous gallery in a pink walled, neon-lit, 1980s era shopping mall in Vancouver’s ever gentrifying Chinatown, this multimedia installation originates from Young’s archival research on Won Alexander Cumyow, the first person of Chinese descent born in Canada, and mobilizes Centre A’s location in a former retail mall to stage a double vision of global retrotopianism.

In this exhibition, the contemporary retrotopian impulse that remembers once-vibrant mall fountain courts as town squares becomes an entryway into the poetics of the diasporic imagination. It’s a heaven over there continues Young’s interest in shifting topologies, the modern nation-state, and cosmopolitan social imaginaries, and will feature a new body of works on paper, an animated music video, and archival materials.

Special Events
Opening Reception – February 23, 2019 | 7-9 pm*
Artist Talk – February 24, 2019 | 2 pm*

*Artist in attendance

Samson Young is a highly regarded composer, sound and media artist based in Hong Kong, holding a PhD in Music Composition from Princeton University. With a formal cross-cultural training in music composition, he draws from multicultural paradigms to weave a symphony of image and sound, touching upon the recurring topics of identity, war and literature. Young is the member of multiple bands and has collaborated with orchestras worldwide. He has had solo exhibitions at the Kunsthalle Düsseldorf, Centre for Contemporary Chinese Art in Manchester, M+ Pavilion in Hong Kong, and Hiroshima City Museum of Contemporary Art, among others. In 2017, he represented Hong Kong in the 57th Venice Biennale. Group exhibitions include Solomon R. Guggenheim Museum, New York; Biennale of Sydney; National Museum of Art, Osaka; National Museum of Modern and Contemporary Art, Seoul; and documenta 14: documenta radio. Furthermore, he has participated in multiple festivals, as well as been the recipient of several prizes, including the 2015 BMW Art Journey Award and 2018 Hong Kong Art Centre Honorary Fellowship. Further awards include Artist of the Year (Hong Kong Arts Development Council), Prix Ars Electronica, and the Bloomberg Emerging Artist Award.

This exhibition takes place on the unceded Coast Salish territories of the Musqueam, Squamish, and Tsleil-Waututh peoples.